Friday, October 21, 2011

Who's Behind The Trigger?


Photo by Jim Kuhn, "Crime Scene, Do Not Cross" tape at The United States Supreme Court during the January 27, 2007, march on Washington D.C.


“And it all comes true.
Yes it all comes true.
Like a wheel inside a wheel, it turns on you.
And you ask, what have I done?
What can I do?
What you believe about yourself,
it all comes true.”
— John Mellencamp and George Michael Green


Last night, Doug and I were having a “48 Hours” fest, watching several of the reality crime shows back-to-back. We do this three or four times a year — I have no idea why. Maybe, for me, because it reminds me of the days I was a crime reporter — anyone who’s done that work can tell you, it’s the same all over. Big city, small town, detectives and criminals operate about exactly the same. It feels like going back to an old territory I know, and I can almost feel that small reporter’s notebook in my hand, as I watch. Anyway, Doug and I both lamented that the proportion of poor, black men who find themselves on this show seems too high, and then we nodded sadly. That’s probably pretty consistent with real life. Doug considered that white people’s murders might be less likely to be solved in 48 hours. The burden of proof changes when you’ve got money for an attorney.

And then out of my mouth it came: “What you believe about yourself, it all comes true.”  

“I’m never entirely sure what you mean, when you say that,” Doug said.

On the episode we were watching, the age-old crime reveal:  a double murder had begun as a “simple” armed robbery. Really, it was no lie, I think it rarely is — when the robbers jumped out of their hiding place, nobody was supposed to be shot. But pow pow pow pow — their guns went off and in an instant, their plans morphed into something else entirely.

“What those men believe about themselves,” I said. “That’s what pulled the triggers. They had one vision in their heads, of how the robbery would go down. Nobody was supposed to get killed, anyway — they saw themselves as armed robbers, not murderers. But unconsciously, they’d written a different story for themselves. Like a wheel inside a wheel …”

I did not get the impression my explanation was all that helpful. If we'd continued, Doug probably would have asked if I was trying to make a statement about “personal responsibility.” Was I saying they had a responsibility, to think of themselves differently? To get a handle on their unconscious selves? That they had some control over the circumstances of poverty and black skin? To which I would have said, Oh noooo. What people believe about themselves has everything to do with what the rest of the world believes about them. I am a huge proponent of personal responsibility, but people have to have better tools than guns, poverty, poor educations and bad expectations, to take it.

But you know, we were watching television, it’s not really time for chit-chat. On we went, to the next episode. Drug deal gone bad. Poor, black man is taken into custody. Detectives are questioning him, getting a little family history, which they hope to use to soften him up, get him to talk. “What about your father?” they asked.

“My father already done been killed.”

Like father, like son, kill and be killed. The story never ends. Maybe until we all create a new belief system about who we are.


Tuesday, October 18, 2011

Promises, Promises



Well, I did it again — made a promise about a future blog topic that I am now loath to fulfill. The tattoo was a brief thrill that has now assumed its rightful place on the Interest Meter, somewhere above bitching about the weather but below this year’s amazing fall color and reading my horses’ body language. (Noble steeds? I have a pair of four-legged clowns.) Now, it’s just a thing; I notice it from time to time but mostly it’s like a fabulous new nail color. Much as I might like it, I don’t pause to admire it while I’m picking the horses’ hooves. Life goes on in Brumley Gap.

But I said what I meant, and I meant what I said, I guess. I feel an obligation to finish what I started. I’ll try to say something for a broader audience, or at least throw in something completely unexpected, for gratuitous-sex-and-violence value.

Anyway …


Tips for Would-Be Tattooees


1) Wait a few decades.

I can date the first time I told a friend I was seriously considering a tattoo to sometime between 1993 and 1996, the years I worked with her. You always hear that tattoos are not just for sailors anymore, but just that few years ago, they were. It was a shocking thing for a college director of public relations to admit. My friend’s eyes grew wide, but when I told her I was thinking of something to memorialize the son that I had lost, she said, “Oh don’t worry about it. No matter what anyone thinks about the tattoo, they’ll forget it instantly when you tell them that.”

For well over a decade, I never got a tattoo, until about the exact moment a new idea replaced that old one. In my 30s I was wise enough to know that I didn’t want it to be my son’s name — I didn’t want to explain who “Andrew” was to every stranger who innocently asked. In my late 40s, I realized that I didn’t want a symbol of him either. In my case, the tattoo was all about me. I just wanted it. It was far, far too frivolous and self-centered an endeavor for a memorial. I would have felt silly and a little guilty every time that I saw it. On some level, I think I always knew that.

One last aside on this tip:  After reading the barest minimum on the long-term effects of tattoo inks, my personal opinion is that a woman, especially, should consider whether she should be beyond child-bearing age. I elected not to get vegetable inks no matter what, and not to think about the metal-based alternatives. That is a luxury of being my age — the ink in my skin that I will carry around with me for the rest of my life can only affect me.


2) Respect that your body will be taking a big immune-response “hit.”

In a previous blog on this subject, I posted an awful photograph of myself the evening after I got the tattoo, still looking exhausted and puffy-eyed after a hard two-hour nap. Doug said I looked stoned. I wasn’t real sure why I put it up, except for a vague sense that I wanted people (my daughters) to know, should they decide to get a tattoo: they should be very healthy and take excellent care of themselves, especially in the days before. It didn’t hurt until briefly, at the end of about two hours of needles, but I knew by the way that I crashed afterward that I was actively in the process of doing some serious healing. The artist that I had chosen said he could tell by looking at my skin and the way that it was responding that I eat very, very well (I do), and he asked me if I worked out. (I don’t, except for working horses and being outside a lot.) He himself is top-notch; among the things that impressed me when I chose him was that he takes photographs immediately after doing a job, so people can see that a brand new tattoo doesn’t have to look like bad road rash. I followed the after-care instructions, continued to rest and eat really well, and the thing was perfectly healed up in 5 to 7 days. Never itched, never hurt. Never got a wicked-bad antiobiotic-resistant staph infection.


And that will be enough of that. I’ve got horses to ride. But before I go …

Two old ladies are talking to each other. One whispers secretively, “I went to see my doctor because every time I sneeze, I have an orgasm!”

“Oh you poor dear! says the other. “What are you taking for it?”

“Why, ragweed.”

Sunday, October 16, 2011

BRING IT DOWN.



After spending a whole day excitedly making our signs and preparing to camp out with Knoxville Occupy Wall Street Saturday night, Doug and I walked amongst the group’s various organizational committee meetings in Krutch Park for about an hour, and decided to abort. Wordlessly, we read each other’s minds and nodded agreement: this isn’t working out. We were sorry, looking wistfully over our shoulders, as though we’d climbed a mountain to find God and instead found the note, “Sorry for the inconvenience.”*

It wasn’t an altogether wasted day. Before adding the Occupy Wall Street event to our agenda, we had already planned to visit some of Doug’s family at a couple of points along the two hour trip. This fall in East Tennessee (just across the Virginia state line from where we live) is spectacular beyond all reason. I felt the irony of zipping along in my new car in the crisp autumn light, and eating a most awesome lunch at Red Lobster, his father’s treat, before lighting out for Knoxville. (I love crab so much it hurts.) But spending time with Doug’s mother, who has advanced Alzheimer’s, was particularly sad and difficult. (The emotional “color” of the day.) As I told friends once we were back home late yesterday evening, “We were wrung out and in no mood for shenanigans” by the time we got to Krutch Park.

“Shenanigans” is probably not exactly the right word. We saw mostly young “hippies” (for lack of a better term), a few homeless people, a lot of passion, and a lot of immaturity. In trying to “organize,” the organization is falling apart. (See the Occupy Wall Street - Knoxville Facebook page, for details.) Three or four committees had taken up various spots in the small park, in circles comprised of about 20 rainbow-colored, pierced, dyed and dreadlocked kids seemingly getting their first chances to say something. More power to ’em; they’ve got some angst to get out of their systems before, hopefully, they move on to efforts more enduring and effective than this one was.

The real solidarity-killer was the “Constitutional Amendment” committee. As is almost always the case, a very few voices muted all others with their power and passion. One, jacked up on adrenaline, insisted that the Knoxville group’s codified demands include that the United States of America accept the authority of the World Court. Aw jeez, really?

There is nothing inherently wrong with anything I’ve described, except this: We are the 99. We are the 99 percent, getting fucked every which way but loose by the 1 percent. Contrary to the rapist’s cognitive-dissonance credo, we are not “enjoying” it. When a protest or occupation or rebellion includes 99 percent of the population, the reasons people are involved, or the issues that motivate them personally, are infinite. For example, one young, single mother I talked to was A) visibly struggling to make ends meet, B) obviously doing a bang-up job of raising a much-loved daughter, aged 6, presently; and C) really, really worried about public education. It has been stripped of funding to within an inch of its life in favor of military and other “government” profiteers, while commercialized interests seep in like water, to “take up the slack.” This woman had never had the luxury of higher education, and so the thought that, because of her so-called unlucky birth circumstances, her daughter would never even get a shot at college seemed grossly unfair. This young mother can’t afford to buy toilet paper for the school to supplement her daughter’s “public education,” and damn it, she should not have to.

And what about Doug and me, the people who drove a sweet brand-spanking new car to the event and ate at Red Lobster along the way? We are fortunate to a point that I regularly want to fall on my knees in gratitude. I have everything I ever, ever dreamed of in my life, including my first new car and the most spectacular set of stars that shine brighter-than-bright over my rural property in one of the most beautiful places on earth. I stood in the moonlight last night, with my two horses cuddling up against me on each side, 10 acres at their disposal, and I thought, OH GOD. Above all else, I attribute our great fortune to two facts — we were born white, to parents who willingly and generously helped pay to educate us, just as far as we wanted to go; and we carefully and humbly chose what it is that we want, over time. What we want is not “everything.”

We are also on a knife’s edge of losing everything, with one family emergency or serious illness. For years and years and years, we have paid top-dollar for family medical insurance, and paid into Medicare and Medicaid, and paid ridiculously rising medical deductibles besides. In our old age, despite the government medical programs that have collected from us over a lifetime of work, the health care industry will collect our assets in the form of a “spend down.” And after we’re dead, the medical industry will take the rest. Forget about inheritance taxes — nobody is leaving anything to anyone. Don’t be ninnies, Tea Baggers: it’s all getting shunted straight up, to the 1 percent. I'd be okay with it being taken, if it were for the greater good, which would include my children!

Meanwhile, our own college-educated children, the cost of whose educations would make your eyes pop out, are not having any luck finding work except for unpaid or low-pay “internships,” which they are taking, with energy and devotion, so that their resumes are not blank beyond graduation. And all indications are that we parents will be paying for their medical insurance until they are 26 or beyond, plus for their cars, car insurance, and all manner of emergencies that they can’t afford. See, Wall Street knows we’re better bets for paying for these things than our grown children are, by and large; despite all those kids’ great minds and willingness, they’re still fledgling adults, poor in their entry-level positions, struggling to make sound financial decisions, or with paying their debts. They have to learn. Better their parents do it.

And retirement? Now, who’s going to profit if anyone can actually retire? Who's going to pay for all those "less trustworthy" grown kids?

We, for all our good fortune, are the 99 percent.

When a protest or occupation or rebellion includes 99 percent of the population, the reasons people are involved, or the issues that motivate them personally, are infinite. But the cause is exactly the same: the 1 percent. There should only be one goal. Bringing it down.



* Douglas Adams, from The Hitchhiker's Guide to the Galaxy "trilogy"

Tuesday, October 11, 2011

A Dying Sun


Maybe predictably, my fourth daughter, the last of my babies, was a Mama’s Girl from birth. She had a fevered lust to run with the pack of her older sisters and so walked and talked at what I had thought, up to then, was an impossible age:  7½ months, on both counts. But still she never danced and pranced her way far from my reach, my little bundle of starshine who loved to bask ceaselessly in the light she put in my eyes.

I knew she was the last one. Don't misunderstand, all of my girls enthralled me equally — you can’t have more than one and not know that each is born constitutionally different from you, all their sibs, and everyone else in the world at large. You can’t not marvel at the way they are delivered to this life with a unique set of baseline traits that, really, have very little to do with you. You try to both respect their individuality and guide them to color just a little bit inside the lines. But on the occasion of closing the door on my childbearing years, I relaxed decidedly and let the last one be, to see what would happen if she was mostly left to her own devices, to test out her inborn gregariousness to the max.

Out of respect for her privacy, I will only say here that, just as I might have imagined, she has found a stage. The very biggest one available to her at this relatively young age — she has found it, taken it for her own, pressed a boot to its neck to the sound of rousing applause. In this way, I cannot imagine she is related to me in any way. I am clapping madly, too, but looking furtively from her, down to the belly that once housed her prenatal self, back to her, back to my belly ...  I am so her mother! I was there the day she was born!

Like most any parent, my dearest wish is that she love her life, passionately, always. I can’t help but hold my breath a little too, though, as she steps into a particular worldview I do not understand, with a unique set of baseline traits I do not understand. Beware Narcissus’ pool, I want to whisper. Today's trade in human capital changes at lightning speed in the matrix of our jet-fueled mass communications; the parameters of what can be bought and sold, from our bodies to the quarks expressing themselves deep within our minds, are so very hard to define now. (Daughter: know that virtual stages must be taken with extreme care.) That age-old mother-mantra — oh please don’t get hurt — sounds with every beat of my heart. Some other less definable body part echoes, don't hurt others.

I also am coming to accept a major change from our auspicious mother-daughter beginning. I, once the designated center of her universe, am a dying sun in my growing daughter’s eyes. No really — I've already been through the normal teenage rebellions with three other daughters, the temporary rejections of all that I stand for, the vitriolic I hate yous! that landed sure and straight as Artemis's arrows. Whomever a small child might imagine her mother to be always becomes someone more human, as that child matures. This is different. The script that my youngest is writing on the stage of her mind, about me, is gelling into something more permanent, I think. I am beginning to realize she probably won't outgrow it. I, being quite simply who I am, can't rise to the occasion of the life this brilliant young artist wants for herself. I will always fall short.

To be clear, her version of me is her truth, her reality. It would be quite wrong of me, to diminish that in any way. I am just taking some comfort in the memories of our perfect early years together, and the thought that there's only one way to go, from perfection in a baby's eyes. She will always, always be my little Star.

Wine Mothers

This is a post I wrote in May 2011 and pulled from a previous, now-shuttered blog, to go along with new writing I will post momentarily. For anyone who may not have seen it before, it may illustrate a progression of thoughts. Sorry about the funky spacing. I have no idea when it comes to some of Blogger's quirks.

* * *

Real mothers do not live on sitcoms and, moreover, we don't want to. My generation has fought being boxed in by governments, stereotypes, glass ceilings, the Martha Stewart phenomenon, and every manner of marketing trick designed to define who we are while simultaneously emptying our pockets in order for us to successfully be that person. Why on earth would we want to step out of June Cleaver's prison and into Clair Huxtable's or Jill Taylor's?

"Jill Taylor"
Wikimedia Commons.
I have been intensely aware of my children's television-expectations of motherhood ever since we let cable into our lives, when my oldest daughters were about 13. Immediately I had to begin explaining.


No no no, girls, that's not a middle-class family, that is a rich family coming into our living room and acting like a middle-class family.


OK, Dears:  I know she's 13 on the show, but she's 20 in real life and she looks like a total slut. Etc. etc. etc.


My personal favorite is when we, as parents, don't turn out to be the dopes in real life that all parents on The Disney Channel are. The universal formula for preteen television: The kids' schemes go badly awry. By pure force of luck they are not harmed, maimed, or killed. Their parents (teachers, principals, adult authority figures) almost find out, but because they are dopes, easily distracted with pretty, shiny things, the youngins get away with their misdeeds. Lesson learned, without the unwanted side effect of punishment or guilt associated with getting caught.

I am thinking about this again in terms of "legacy," as my daughters enter their adulthoods, and their opinions of who I am and my performance as a mother solidify. That is not to say my job is completely finished  --  my youngest is in high school and still at home. A year or two ago, she asked me, "Why can't you be a Wine Mother?"

Ah, the Wine Mother. For those who may not know, a Wine Mother is super cool. She spends her entire evenings still sharply dressed from her day working in upper level management. Sexy silk blouse and pearls. She directs the family from the kitchen island, with her glass of white wine nearby. She is extremely popular with her children's friends, because she is so funny after about the second glass. She still manages to get up for her 5 a.m. aerobics class, though, and she could still drive her brand-spanking new SUV to the movies at any second, if her children want to go.

Well. I do love white wine. And I think I'm hilarious after the second glass.


Tuesday, October 4, 2011

Put me down, put me down!


From a young age, I’ve been completely magnetized by others’ cultural experience, human ways of being that are very different from my own. Up to a certain point, my mother would have grabbed me up by the collar to save me from my curious self, me wriggling and stroking the air like a rabbit being held by its neck fur.

With a little teenage autonomy and a car, I started exploring in earnest. I look back on a night I sat amongst the members of a major South El Paso street gang — in a dark, abandoned adobe house, guns, knives, bottles and bongs getting passed around with equal enthusiasm — and wonder, what the hell was I thinking? Like a white-blond, goody-two-shoes, 17-year-old East Side girl in an Izod shirt and saddle oxfords is going to pass for a fly on the wall? “Don’t mind me, ese, I’ll just squat here in this especially dark corner and be silent as a gargoyle. Proceed, proceed, pass those automatic weapons right along.” Girls like I was wind up the subjects of various CSI television series — and not in the good way. My mother tended never to believe the "anthropologist in training" explanation if I got myself caught, true as it was — nor would the court system, I suspect, if I'd found myself in it. Police busts, like revolutions and mob mentalities, usually sweep everyone up, even if one person in the group doesn't "look" like she belongs.

Luckily, I found safer ways to get inside strangers’ homes and study their lives at will, take notes even — first as a reporter for a newspaper, and later, in the actual, bona fide study of anthropology. (Looking at real estate works, too:  just don’t correct your agent’s misconceptions about the house you really want, and he or she will have to unlock lots and lots of doors for you.)

And of course, there’s travel. I've not gotten spectacular amounts of it, mind you; my life's been mostly otherwise engaged up until now. But one of my very fondest memories from my marriage is of sitting with Doug on a street curb in Juarez, Mexico, under a blazing hot summer sun, bathed in the language, color, stench and beauty of a big, robust city in an entirely different world. We were drinking fruity sodas from glass bottles, way too sweet for American tastes; Doug was asking for translations of the various billboards around us, with their oh-so-familiar American logos but colloquial slogans that made us laugh out loud. Behind us, the hand-blown-glass factory workers plied their dangerous trade in lava on a 114-degree day. People unlike us in every way swept by like water, diesel fumes and honking horns filled the air, whatever rules of the road existed failed to make any sense to us. I felt a familiar electrical sparking in my brain. I looked over at him, and he smiled, a discovery burgeoning and catching fire within him. I knew he got it — why I call travel to another country “the intellectual orgasm” — and I was overcome with the confirmation of that moment, that ours would be a long and happy pairing.

I write this as I consider some of the shocked responses I’ve gotten on my new tattoo. It seems strange to me. My own 80-something parents won’t be shocked. Not thrilled, but not shocked. Doing something like this is just like me. Ordering lunch with purple hair, in a Pennsylvania city where every last house is painted the exact same shade of white, makes me belly-laugh, and feel alive. Same with hiking to the furthest Anasazi outpost in Chaco Canyon, alone. Trying to blend in in South America, even if I am 5’11 and a female traveling alone. (People threw their arms around me with grief-stricken looks on their faces when they found out my husband was not with me, as though I'd been widowed and cast out onto the streets.)

I got this tattoo, 100 percent, for the experience. For the chance to think through such a scarily permanent change, and execute, even though I was scared. To see what all the fuss is about. To see if I could pull it off, with some degree of grace for a woman of my age. Typically for me, because I am older and smarter, I hope, I did my homework fiendishly. I wasn’t really seeking danger — I was seeking experience.

That I got, in a nice little chunk that didn’t require 20 hours on a plane and thousands of dollars. It was a perfect, crisp fall morning, punching the gas pedal through the Jefferson National Forest, speeding toward something that both frightened and excited me, and that I’ve been thinking about for almost 20 years. And wow — it turned out A-OK. Today, my dubious best friend said it was the most beautiful tattoo she’d ever seen. (Note: we have very similar tastes.) After an initial 12 hours of a little freaked-out buyer’s remorse, I am happy with it, too. Really happy.

But hoo boy, I’ve still got more to say. Like everything else in life, it's been a most interesting filter through which to consider the universe, internal and external. At least, to me, and isn't that the whole point with something as self-centered and personal as a tattoo? 

Next up:  why I feel a person should be in at least her fourth decade before getting a tattoo, maybe toward the end of it, and why I didn’t memorialize my son. And then to some other topic — promise.

Saturday, October 1, 2011

It Feels Like The First Time


On this, the first day of the tenth month of the year 2011, in my 47th year, I got my first tattoo. Or more accurately, my first 2/3 of a tattoo — I’ve got to go back in about a month to get some touchup on the part done up to now, and have the remaining 1/3 inked in.

This will almost certainly be my last tattoo, too, though I couldn’t say for sure on that. This morning, after weeks of fiddling with the design and fretting over composition, I let go of all those worries on the hour-and-a-half drive, and focused instead for the first time on how much it would hurt. It seemed about time to think about that. I’d seen one photo online that was firmly in my mind, of a big burly guy screaming out as the needle hit his back. Another local tat shop (that I chose not to go to) distributes bumper stickers to clients that we see on the roads here all the time. Hell yeah it hurts, the stickers say, above the shop’s name. I suppose “bad ass” is supposed to be part of a tattoo wearer’s bragging rights.

Much to my surprise, it didn’t hurt at all. Almost not at all. I sat in the chair with my chosen artist working behind me, screwed up my mouth and wondered what I was missing? I kept asking how far along we were in the process, since for the first two hours I was convinced he must still be sketching. Not really into it yet, or something. I was always pleased to hear we were pretty far along. In the last short while, it did smart a little, as layering a third color in asked a bit much of nerves that were raw from the previous two. Even then, I only jumped a hair, once.

Am I happy with it?

I am neither happy nor unhappy. I’ll be asking for specific corrections when I return in a month, super-minimal things like, “increase the size of this shading by 1/8 of an inch, and round this out more by a degree or two.” Yes, it’s nutty — I chose this artist for his own attention to detail. I should have known I’d want to grab up the needles and start doing my own drawing. Luckily, the real expert between the two of us was working on my back, so that even I realized I could not take over, and so that he did not need to call in the law. “Yes, I need an officer here right away please — I’ve got a crazy lady on my hands who thinks she can do her own tattoo.”

The fact remains, we still need to finish this one. I am being harsh, because damn it, the fact that I would be was just oh-so-predictable.

Stay tuned. I've already got tips for anyone who's even more of a newbie than I am.

I won't show a photograph until it's finished. So here's me instead after the fact, in a tube top with my sweater off the shoulder where my brand-spanking new tattoo is, ponytail on the opposite side to keep my hair off of it. And, looking really wrung out after this day. No pain, but apparently a lot of psychological stress. I guess.