Monday, February 28, 2011

To Be Without Words

A guarded chamber of my heart is a temple that holds my earliest memories, so fine and diaphanous that the breeze of time could easily carry them away:  a feather, a wisp of smoke, the curl of a tiny lock of hair.

There are four memories there. Two are from inside my crib, one of these purely visual  --  white walls, wooden slats, a 1950s pastel painting of a bunny and other forest friends on my side of the headboard. The other of these first two is a single glorious singing moment in which language rushed into my mind like a waterfall. A Mexican woman my parents hired to care for me walked into the room, chattering sweetly at the end of my nap, and in that very split second the final synapse that gave me the capacity for verbal understanding made contact. I sat up in the thrill of new waking, steeped in the sweet perfume of a clean and happy baby’s sheets  --  wide-eyed I’m sure, adrenaline coursing through my veins. It was like being born. Spanish, not the English that would ultimately become my “first” language, opened the floodgates. The next and longer work of my childhood development had to have been the unyoking of my infant tongue so that I, too, could participate in expressing a conscious universe.

The next two earliest memories amalgamate into one convulsing-red blur of violent temper, another's temper, my first experiences of agony and terror. I only break this into two memories because I remember the infractions that precipitated the whippings so well. I was about three; I can give an approximate age because of where we were at the time. Once I had rocked a rocking chair so forcefully that it broke the window behind it, and the other time I had slipped away from my caretakers with powerful intent to feed pigeons  --  slipped a half-mile away, alone, toddling myself to the edge of an interstate.

Language factors into this second set of first memories, too, though differently. Because the most stunning part of them to me now is not the flurry of fists or pain  --  these have been carefully sifted out of my first-memories chamber. They are just facts, without feeling or lingering hurt. What I remember most acutely is that I could not find the language for a new concept that entered my three-year-old mind in that flash of time, with all the shock and force of a snuffing mudslide bearing down on everything I ever knew. I was thunderstruck in the moment by an absence, a void  --  no word! no word!  --  for the sudden understanding of what it was to cease to exist. That my little capsule of consciousness could vanish. That I could die. I had no word for die.

Obviously it wasn't the end of me. Forty-three years later, I can tell the story, washed clean of anguish many, many years ago. But I wonder.

How, exactly, would it have helped, to have the word?

Sunday, February 27, 2011

"Hey Fellas"


A thin, blue light is smudged against a black sky over the mountain behind the house right now, and our rooster has begun crowing his frustration at the dawn, that his owners will not let him out for a few hours yet, to grace the entire property with those fine proud breast feathers of his. I should be deeply engaged in the sacrament of sleep, but instead I'm obsessing on the world's most inconsequential graphic design issue. Or, the floorflusher in this photograph from the 1920s is haunting me this early morning.

Isn't she just the berries?

I posted her yesterday in a different incarnation, having played around in Photo Studio and placed a kind of skipping-rope chant within the photograph. It was pretty in Photo Studio, but I hardly gave the effort enough time, and something about the embedded text further muddied the clarity of the old photo after the Blogger upload. It also seemed to have made it impossible to click on the photograph within Blogger, to get a bigger, clearer image.

She's here because of her attitude, her perfect symmetry and lines  --  I felt compelled to contribute whatever I could, to extending this one moment in her life into eternity. I think she loves the idea, but also that she's insisting on a "do-over." What you see now, I do sincerely hope.

Whatever your name is, beautiful girl, your star is still shining in Brumley Gap. But if you don't mind, I'd like to get some sleep.

Wednesday, February 23, 2011

On Blog Time

I keep having this recurring vision of a crawling baby churning her way into a lush, dark forest alone. Light has followed rain and lifted everything, given the forest a static singing spirit just beyond human perception, what the angels' voices would do if the light were manifest in sound. The baby is vulnerable, a peach, achingly bare except for a cloth diaper that’s wet and half falling off. Something shiny has attracted her, dust motes in stripes of white sun maybe, and she has shot off like an arrow to find it. She sits to rest sometimes, babbling nonsense and hiccoughing in blissful ignorance of what could lie ahead. Then she continues her hunt. Something is in there somewhere; she saw it. She has no word for "sure" to form the feeling on her tongue, but she is sure. Something is there.

I can’t scoop her up so I remind myself it’s a good thing babies have that bizarro skin on their knees, that lets them slice through polypropylene fiber or forest floors without suffering the nasty rash known as “rug burn.” This infant is years away from finding out what that is, the hard way.

The baby is me. The forest is the blogosphere. And if I am not careful, I may find myself raised up by wolves.

* * *

Part of me, the grownup me that is, wishes I could re-form the image to have more broad appeal, that I was not so damned Classic Cancer, the sign of mother and moon  --  but I’m working on Blog Time here. Tick tick. This is the obligatory Blog About Blogging. Birds gotta fly; fish gotta swim; eventually, all writers gotta write about writing. Plays will be made about making plays; there will be television sitcoms about making television sitcoms.

A long Facebook thread begun by a friend made it impossible for me to ignore the topic any longer. Most everyone in the thread is or was a blogger, real deals, with strong media backgrounds and quality products, from what I saw  --  I looked at others' blogs for the very first time. These friends were, essentially, crying in their beers over the already declared dead blogosphere, and I was the newbie "just hired on," taking it easy on the beer as the new kid should. By the end of the discussion I had backed up in time to the aforementioned baby.

Here’s what this writer with precisely zero experience with blogs prior to now learned. The blogosphere is big. It is complicated to do it correctly. It breaks hearts. No kidding, someone said that  --  "it will break your heart."

I think I understand where they're coming from, when they express pain about it. For one, it may have provided brief hope of actually making a living by writing, as many of these friends once did. And we with print journalism backgrounds were used to counting readers in the tens of thousands once  --  even if you worked at the smallest of newspapers and correctly supposed only a fraction of the readership laid eyes on your work, the numbers probably were still in the tens of thousands. (Young whippersnappers. Remember few other media devices were distracting subscribers, once upon a time.)

Admittedly, I had done the briefest internet homework on the topic before I started writing here, to figure out what it was I was "supposed to do." Learn how to "ping" for one thing, whatever that is. Write short pieces, the shorter the better. And absolutely  --  it's a rule buddy  --  allow comments.

What? Since when do writers engage the conversation, beyond putting their best effort into beginning one, and then having the courage to let their complete work stand on its own? I'm not so much of a babe in the woods that I don't know  --  I would look at those comments, maybe get into the fray. They would affect my work, shift the course of future work. That's crazy talk, man, the antithesis of what writing is for.

Ah, the biggest heartbreak of all:  the loss of the complete thought, of writers who can have one, of readers who can wait for one and then just take it and think about it. Without mass discussion, without argument before the "thinking" part. These losses are worth crying in your beer over.
 
But in my final analysis, I find I am so glad I was that baby who keeps popping into my head, when I began this writing again, in earnest. I am glad for the wonder. I am having so much fun, reaching for something so luminously beautiful, whether I successfully catch it or not. Words  --  dust motes in stripes of white sun. With no other expectation, my skin is plenty thick enough, for that particular kind of journey into the forest.

Sunday, February 20, 2011

Dare We Dream Now, of Strip Malls and Bars?

A short work of fiction, based on a writing prompt, with thanks to the contributor.


"Let's blow this joint," you said. "I can't look at pale green and yellow another minute." We were juvenile as spit balls coming out of the foreign land of our own nursery. Driving down Highway 41 with no place in mind, your swan-like hands folded over the baby inside. Minutes turned into hours, until I noticed you had grown quiet for a long, long time. "You OK?" I said.

You laughed. "Well, I gotta pee."

"Like you're-going-to-wet-yourself pee?"

"No, but  --  well it sort of hurts right now." You wrinkled your nose.

We crested the hill and there it was: the gargantuan sign that said Girls Girls Girls! My foot came off the pedal. "Here? It's almost empty." You bit your lip and thought. "Let's go a few more miles. If that doesn't work I'll pee on the side of the road." I sniggered  --  like you're going to squat in your condition?  -- and you punched me.

Moments later:  the strip mall, seething with ant-people. We fought the clot of SUVs and found ourselves on the wrong side of the parking lot. You waddled to the building. That look of pain on your face  --  I opened the door that said "Administration only" and pushed you through. The concrete corridor smelled of vomit, and you looked like you might be sick, too. A moment later we were in the executive offices, and after that, you were in the executive toilet. The executive secretary looked dead behind bug-eye sunglasses, maybe seizing in the electric pulse of fluorescent light. I went in with you. You washed your hands afterward, held them up dripping, a surgeon preparing for clean cuts. Finally you saw the towels on a chair, laundered, folded, and stacked on the seat. A wet butt-print in the rough of the cloth. Instead of drying your hands you took thumb and forefinger like chopsticks and opened the lidded basket beside the chair. And there they were, just as you had known they would be: soft rubbery sex toys of every shape and color. "Hmm," you said  --  "Cherry Red. Come-In-Me Pearl White. Relieve-Your-Balls Berry Blue"  --  and dropped the lid askew.

We had to pass a group of mall rats smoking a joint as we left, stoned-blind to the security camera over their heads. "Ooo what's this?" some dumb shit said, Harley Davidson wings tattooed where his eyebrows were supposed to be. He stepped toward you, and for once I didn't let you handle yourself. I stepped between you and him, and he shrank away like the worm that he was.

"I want a drink," I said without thinking.

"I want you to have it," you said.

We looked back at the strip mall, wondering, but then walked on to the car. I turned for the strip club.

"Crown and coke," I said.

"Water," you said.

The waitress did not ask if that was a basketball under your shirt. The two of us curled together into the booth. You slept for a few minutes in that place devoid of judgment, in the crook of my shoulder. In that strange walking dream that was between then and now. The Girls Girls Girls! made disinterested love to their poles for no one.

I studied what the baby gave you even as it seemed to be displacing you, and us, from the inside out. The fall of glorious curls that framed your face. Softest sighs, comfort like music in the night. Swellings at your breasts and thighs, that whispered come hither to some part of me the present surroundings could not touch.

Saturday, February 19, 2011

A Feminist on the Farm


Shortly after I bought my horses, an elderly man in my life shoved his hands in his polyester pockets, sucked his teeth, and said, “I’ve never understood why women like horses so much.”

I don't suppose he would have liked my answer, if he had really wanted an answer: Because you can swing up on them and get the hell out of Dodge.

Every minute that I live, it becomes more and more apparent to me that a woman has to take what she wants. Nobody but nobody is going to give it to her, not without expectation, and not unless the object of her desire falls safely enough within the proper bounds. Men take fishing trips and sports excursions for the pure pleasure of them; women take recovery. From my experience, "Girls Night Out" is always an act of desperation. And babies big or small  --  no matter how much they scream they want their independence, they can hardly bear for their mother's attention to be turned away. (Try taking five straight minutes to write a blog, for example.) They light out into their own adult lives, and still her countenance is supposed to be watching every time they turn. The collective message is subtle and complex. Societal machinations are humming in the white noise of a woman's world, every waking minute from birth. With every step she takes away from expectations, the tuneless screeching of violins grows louder, and words clarify themselves within the drone. You are so selfish. How dare you?

This is old news for women, a rehashing of the old blah-bi-di-dah  --  we fight it, think about it in our most exhausted, over-used moments, and too often fail to take what we need out of guilt. But there's another side we might not think about so much. That is, not just what to grab for ourselves  --  but what not to.

My horses are on a short list of the big things I have grabbed in my lifetime, for myself, without permission, and without apology. So it came as a surprise to me, that giving one of the horses away was as important to the effort as getting them in the first place. Because it's easy to forget:  The fabric of your life  --  whatever threads you find yourself studying at the end, turning over and softly rubbing between your thumbs and fingers  --  the quality is as much because of whatever material you leave out, as weave in. And it takes as much strength to stand up for what not to accept.

I'll not go into too much detail (it can be found here, in "Possession," Dec. 13, 2010), but the mare was aggressive to the point of being deadly, different from other problem horses in that she commenced full-frontal attacks seemingly without provocation. The first decision I made was between putting her down (because I would not have handed off a killer) and having a trainer with more experience than I work with her first. I chose the latter.

Two weeks later, the trainer and I met for an assessment, beginning with whether this was what in the old days was called "a bad animal." No, he said, just a very, very alpha one, a dominant leader of the herd, with no small number of issues. "I think this can be done," he said. "Are you ready to work hard?"

Ask a woman if she's ready to work hard? How, pray tell, is she supposed to answer that? I blinked at him silently, thinking, well, but, that's not the idea. Not that particular kind of "hard." I'm planning ahead for my golden years here!

The training was helpful, and at length I rode the mare on a number of occasions, quite proud that I still had it, I could still keep this headstrong 1000-pound female under relative control. The internal arguments began then in earnest. All the ones closely related to what you might expect from a mother trying not to give up on her difficult child, alongside all the ones that said I've already done this before. As a teenager I lied to my father for a year about how wild my gelding was, knowing he would sell him if he knew; that gelding and I eventually claimed a 1978 All-Around High Point Horse trophy in Texas that is still displayed in my living room. During that time, I only met one horse I never got a full handle on, and if we hadn't gone down in soft Texas sand when she reared over on me, I'd be dead. Good enough for near-death experiences; what do I have to prove now?

In the end, it came down to this: the mare was off-mission. I found I had to stand up for the decision to give her away, repeatedly. My trainer, my family, my own heart fought to see the effort with this mare through. It was hard, first because in a qualified way, I was fond of her. She is a beauty, and I continued to want to hold onto that beauty. But also because, once I'd said "damn the torpedoes" and brought my little herd home, the societal drone changed, inside and outside of my head. The subtle and complex message: OK, you did this. Now accept your responsibility.

 “Martyrdom” is something I’ve worked hard not to allow in my household of five women. Just as no one was allowed to say “no fair” as they were growing up. So first I accepted the responsibility of a horse, and yes, I turned and handed it off to someone else. A perfect match, incidentally, after $2,000 of training.

How dare I.


Suggested reading for mothers and anyone else interested in whether our modern, American way of raising children might be going off the rails: Perfect Madness: Motherhood in the Age of Anxiety by Judith Warner, http://www.indiebound.org/book/9781594481703.

"The paradigm-shattering bestseller that investigates how women have fallen into the trap of "total motherhood," and how that mind-set damages them and their relationships with their husbands and children."

Sunday, February 13, 2011

All In This Together

I am an ape. An animal more specifically described as a human ape, but there it is. Out and proud, I say. Somebody's got to start the dialogue.

I wish I had a good answer for what kind of woman goes around publicly announcing she's an ape. Me, obviously, but I mean, beyond that. My undergraduate training in anthropology says absolutely, every single time, you must begin an ethnography by introducing yourself, as fully and honestly as you can. People ought to know who you are, before you then engage in the utter folly of trying to tell them about someone else, through your own self-deluded eyes. So far as I can tell, the effort works perfectly. Ethnographers tend to write the most amazing purple prose about who they wish they were, or how they wish the world to see them, but where ever you go, there you are  --  the deception is easily detected. In the process of writing, they might as well strip themselves naked before the security cameras in Grand Central Station.

Despite that, here's some stuff I know about me. Like a chimp, I always want to touch everything and anything that piques my curiosity. (In fairness, I like to think I share the keen intelligence of a chimp, too, which calls for a proper degree of caution and no small amount of fear when it comes to real danger.) But as an example of chimp / ape-like behavior:  My husband and I were standing on a treetop-high deck years ago, only a few feet a way from a pair of flying squirrels. He could see I was practically quivering with the desire to reach out to one -- something that was A) likely to get me bitten, and B) certain to interfere with our observation of the sweet squirrelly courtship. "Why do people always want to touch everything in nature?" he asked. As if this was a rhetorical question aimed at no one in particular.

Touch? I wanted to grab one of those cute little suckers up, turn it over, and see if I could find and name all the internal organs under the soft belly fur.

And if I ever accidentally wander onto an ancient burial ground, and no one except God is within a hundred miles? I'll touch something. I'll fall on the ground, look a skull right in the eye sockets and have a little conversation. I'll tiptoe around as carefully as I know how and slap myself on the head a lot, trying to sear everything I see into my brain. Heart going thumpity-thump and body quivering all over. Then I'll go directly to the proper authorities and point to the find, so they can secure the area and keep people like me out. (No I wouldn't do any of this really, same as I didn't pet the squirrel. But it would be hard. Sadly, this non-practicing anthropologist probably just put herself on the equivalent of an Indian No-Fly List.)

Whoops. I may have skipped purple prose, and gone directly to naked.

* * *

So believe it or not, this blog is about someone else. An ethnography, if you will  --  let the folly commence. Or continue.

In the late 1990s, a quiet young woman came into my life through a work association. She would become a close friend, but it could so easily have been otherwise. Whether she becomes a friend all depends in part on whether you notice her  --  she's so extraordinarily quiet  --  and then on whether you have a high comfort level with someone who, without a trace of self-consciousness or even of awareness, completely resists definition.

Strange that I say people wouldn't notice her, because she's got certain traits that we apes tend to notice. She's very tall and very angular; she has delicate hands and fingers that, because she is a born leader, creatively and technologically, she must use to illustrate and to teach. She has dark walnut hair that she has often worn buzzed boy-short. She surprised me recently, though  --  we hadn't seen each other in a number of years  --  with her hair in a shoulder-length sweep, magazine perfect, blindingly shiny after so many years of acute cuts. Short or long, the dark hair frames crazy-colored hazel eyes (teal?), round and fascinated, that swivel together to take everything into view, the world every moment with a childlike wonder. Whether she is trekking around Europe with a backpack slung over her shoulder, or sitting with hot tea at your kitchen counter, she is content in her own skin. She's always smiling. She likes to go and to play. Golf is a passion, as is sunshine on her face, and heaven help the person who gets between her and a county fair and a funnel cake.

She knows what she likes, and if her haircuts have dumbfounded people, so too has her unchanging wardrobe. Whose wardrobe doesn't ever change in this day and age? Jeans, comfortable cut; tennis shoes; t-shirts in the summer; sweat shirts in the winter. She has thus far forcefully refused to get married or to have children, and fiercely guards her time alone.

For the life of me I can never remember her age; I had to ask yet again, for the purpose of writing this. She is nearly 37, and though she does not seem to change one iota over the years, she is not a grown child. She can be extremely motherly, super smart to begin with but also with a wisdom that comes from not having the sometimes emotionally flighty encumbrances of a spouse and children. She is kind and a very moral person  --  but imagine a razor-sharp sense of humor, too, which will bust you in your follies, and make you laugh at them. (As in, once when from the back of a two-person kayak, as I was failing miserably to keep up with her athletic prowess, she said, "Just sit there and look pretty.")

People are always trying to label her. "Are you ________?" they ask when they believe they've gotten close enough to beg "the question," whatever it may be. I leave the space for the descriptive term blank not because of some concern for political correctness, but because that's the whole point. The question varies. There are no easy labels. Her surprised but not offended answer is always an honest "no." A little bafflement. "I am just me."

I understand this human  --  or is it ape?  --  need to categorize absolutely everything. I also understand that sometimes, you just can't. That's why I adore the study of humans. In addition to the usual biological variation within a species, we have consciousness and cultural variation that allows for infinite words with which to fill in the blanks. Think about it: infinite.
 
So I keep this friend of mine close, chase after her sometimes as she walks through the world, and stay clear of her place in the funnel cake line. And I turn my own primate brain to watching the fascination of everyone else, those who notice her. Because rude questions aside, people also want this rare quality, are magnetized to it  --  the magic of a person  who really, truly, genuinely, is herself. Who does not feel any need to broadcast it in some way  --  no outward physical purple prose that says, this is who I wish I was. And who is so visibly happy about it.


 *Comedy aside, disturbing or looting a Native American site is unethical and can carry extremely high costs for the offender: consider the Archaeological Resources Protection Act (ARPA) maximum penalty of a $20,000 fine and two years' imprisonment for a first offense. And it is unlikely "God" is the only one around. Please see http://www.preservationnation.org/magazine/2010/january-february/inside-man.html for an excellent article  --  or just check out the photo to get the point.

Wednesday, February 9, 2011

Hotter Than a Pepper Sprout


Forget “falling” and “head-over-heels.” New love that leads to the madness of marriage might better be described as a somersaulting, limbs-flailing, tandem barreling down a rocky mountain that will end in either Nirvana or Death. Drawing a little blood screams that you are alive, but in any case there’s no stopping. If you could grab a hand- or foot-hold, well of course you would, and quit making such a flapping idiot of yourself.

Doug and I were already in the tumble by about the third date, when the 40-something childless man who was definitely going to be my second husband asked, not for the first time, “So how many children do you have again?”

Four. I have four.

My significant other — an erudite PhD and Renaissance Man who explains the intricacies of cellular biology on a regular basis — held up fingers for himself.


Not long after this, serious introductions were made between my daughters and their stepfather-to-be. The girls ranged in age from between 6 and 13. He began the process of trying to memorize their names, and they began the process of getting to know this newcomer who would have such a tremendous effect on their lives. Doug and I had arranged for all of this to occur during a day-long outing to relatively neutral territory, his family’s beloved vacation house on the Pigeon River near Gatlinburg, Tennessee. Tucked deep into a cool, leafy green peace, the house was a fine place for me to do a lot of hyperventilating, stricken as I was with the fear that my children might devour alive the man I loved.

After a few hours, I relaxed a little. Things were going OK. We were all eating lunch on the screened-in porch, mostly hidden by rhododendrons, talking, laughing. Being fairly normal. From our side of the screen, we could see tourists float past on the river in rented inner-tubes, causing near blindness in their new fluorescent swimsuits. Birdsong was interrupted by bursts of screaming and yelping as they hit and tipped around in easy rapids. This was great — my embryonic new family had something to dogpile on together. Stripped of even a trace of self-awareness in their unfamiliar surroundings, tourists beg to be made fun of — by local residents with real family ties to an area, and all young people, ranging in age from, say, 6 to 13.

Young people who say something like this, from oldest to youngest:

Geez. Those tubers are really stupid.
Yeah. Totally annoying.
Woof woof. Who let the dogs out?
Dumbheads   . . . . . . . . . . . . . . . . . . . . . . . . .
 
 
“I don’t know,” Doug said. “They are also capable of asexual reproduction. That’s pretty cool.”


No really, it made sense. Right there on our lunch plates were dollops of homemade potato salad. And a “tuber,” for the rest of us not so erudite, can also be defined as “a swollen, fleshy, usually underground stem of a plant, such as the potato, bearing buds from which new plant shoots arise.”

Sure, perfect sense. The whole big somersaulting, limbs-flailing, barreling down a rocky mountain madness of it. And six is even better than two. Totally.